The Arts & Humanities Lab offers a platform for exchange and networking not only for doctoral and Master's students, but also for advanced Bachelor's students. During the Humboldt Year, they have the opportunity to develop a research project at the intersection of art, cultural studies, economics and sociology. The Lab promotes dialogue between students and professors and opens up direct contacts with cooperation partners in the university environment and cooperating cultural institutions.
Julian Stahl: Toward a practical theory of managing the arts. In: DeVereaux, Constance (Eds.), Arts and Cultural Management: Sense and Sensibilities in the State of the Field. Oxon: Routledge. (peer reviewed). Tröndle, Martin / Stahl, Julian) (Spring 2018), WÜRTH Chair of Cultural Production
Carolin Stroch: Evaluation von Kultursponsoring. Analyse eines Forschungsfeldes zwischen Komplexität und Praxis. (Spring & Fall 2017), WÜRTH Chair of Cultural Production
Jakob Wirth: ARTIVISMUS - Von der Faszination des Phänomens zur Modellentwicklung. (Spring 2017), WÜRTH Chair of Cultural Production
Alexa Heyn: Vom klassischen Fernsehen zu Netflix. (Fall 2017), WÜRTH Chair of Cultural Production
Elisabeth Kirsch: Autobiographie auf YouTube. (Fall 2017), WÜRTH Chair of Cultural Production
Marius Schuler: Immersion. Virtuelle Räume revisited. (Fall 2017), WÜRTH Chair of Cultural Production
Hannah Grunewald Sprich mit mir! Eine Betrachtung von pragmatischen Kommunikationsmodellen und ihre wissenschaftliche Einordnung. (Spring 2017), WÜRTH Chair of Cultural Production
Lena von Goetz: Die Filter-Bubble der Filter-Bubbles. (Spring 2017), WÜRTH Chair of Cultural Production
Jasper Claudio Schmift Urbanität als Produktiver Konflikt. Auf Spurensuche in der Stadt zwischen Theorie und Praxis. (Spring 2016), WÜRTH Chair of Cultural Production
Frauke Leonie Fichter: Theater als Mittel der Förderung demokratischer Strukturen. (Spring 2015), WÜRTH Chair of Cultural Production
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Niklas Ehret: Dachau am Bodensee – Eine kuratorische Konzeption für eine Gedenkstätte in Friedrichshafen. (Spring 2024), Lehrstuhl für Kunsttheorie und Inszenatorische Praxis
Carla Theresa Veit: Zwischen Bewahrung und Innovation
Eine Untersuchung der Strategien und Herausforderungen für die Konservierung von Born-Digital Art. (Fall 2023), Lehrstuhl für Kunsttheorie und Inszenatorische Praxis
Ricarda Hommann: Die Augen auf der Leinend, den Rücken zur Geschichte: Die Subversion des kolonialen Blickes in zeitgenössischer Kunst am Beispiel von Kent Monkman. (Fall 2023), Lehrstuhl für Kunsttheorie und Inszenatorische Praxis
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